For the first time, Pace London presented an exhibition of sculptures by Louise Nevelson.
Pace London is pleased to announce an exhibition of works by Louise Nevelson, surveying the artist’s practice from the mid-1950s until her death in 1988. The exhibition is the fourth solo presentation of the artist’s work ever in London and the first since 2009.
Nevelson created her first assemblages in the mid-1950s, and quickly made an impact in the New York art scene with her pioneering approach to sculpture. Inspired by Cubism, Nevelson took scraps of wood and other materials found on the street near her studio and assembled them into free-standing and wall-mounted sculpture that she would paint a solid colour—most famously, black or white.
Nevelson’s sculptures range from small assemblages to free-standing columns and monumental wall-based works consisting of multiple small compartments. Although the physical form of the scraps remains unchanged in her work, Nevelson subsumes them in an entire system, creating a unified whole from disparate parts. She insisted on the psychological and expressive virtue of her work, which was illustrative of a highly personal cosmology rooted in light and shadow.
The exhibition coincides with Pace New York’s presentation of Blackness in Abstraction, a major exhibition organised by Adrienne Edwards, a curator at Performa and curator-at-large at the Walker Art Center. The exhibition considers the eponymous theme, treating Nevelson and her expressive treatment of black as a historic anchor for subsequent generations of artists.